1. Who is Tracker Audio?

 

2. What is Tracker Audio?

 

3. Some class recordings are available in mp3-CD or data-DVD formats - what's the difference?

 

4. How are the tracks named / how do I match them up with my notes?

 

5. What equipment do you use for recording?

 

6. My audio download is a compressed .zip or .rar file - what do I do with that?

 

7. Viewing online broadcasts

 

8. Packaging & pricing changes for 2020

 

 

 

 

Who is Tracker Audio?

 

Tracker Audio operates through the effort and commitment of many people. The main office in Ohio is managed by David Ott, who does some audio and video recording in the field in addition to overseeing the general operations of Tracker Audio and producing all of Tom's pre-recorded videos and live internet broadcasts. David is a longtime Tracker student and was a Caretaker at the Primitive Camp from 2001-2002. The onsite class recordings have been engineered by a variey of awesome folks throughout the years, including Noah Giddens, Dax McMillan, A.J., Teake, Conrad Simas, Sandor Jozsa, Cadence Shae, Charlie & Meredith Blackwell, Randy Walker, Nancy Klein, Peter Schmolze, Joshua Weaver, Stephen Gifford, Mike Panella and probably more...

 

Tracker Audio is also indebted to those who worked on transitioning the initial idea into reality. Karl Direske, who worked closely with Tom to get this thing off the ground and whose office and personnel were sort of over-run for awhile by these audio and video projects. Don Baker, who put together the initial field recording gear. Sara Setzer, former Tracker office manager. Pamela Averack, the copywriter who worked to condense the enormity of the classes into a single descriptive paragraph. Liz Panke, who did the initial design work for the case covers. Clay Enos, who took the photos for the first covers. Denise, Catherine and Mary Pat who handled assembly and shipping, and Nicole, who did the accounting.

 

There's also the various students, volunteers, externs, interns, caretakers and other Tracker School staff members (especially Kelly - she runs the Tracker School office and is merciless with a nerf gun) who help make Tracker Audio possible - without their aid it just wouldn't be nearly as much fun! And of course Celeste, Tom's wife and the glue that holds the whole thing together!

 

Ultimately Tracker Audio is mainly the recorded vision of Tom and his school - his words and images, those of Grandfather, and of his Tracker School instructors.

 

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What is Tracker Audio?

 

In the past, the Tracker School had allowed students to record the class they were attending, for personal use only. In 2006 it was decided to no longer allow such recording for several reasons. Mainly it was Tom finding out that some of the student's recordings were being sold over the internet, but it was also getting to be a huge mess in front of the lecture area with all the recorders and wires and mics, and a distraction to the class as batteries were changed, cassettes replaced, mics adjusted, etc... so with the help of a few Tracker students, the school began it's own recording and mastering process. The first officially released class recording was of the Philosophy 1 class held in November of 2006.

As the audio recording side of Tracker grew, it came to be referred to as its own entity - Tracker Audio. And the name stuck even as we got into live streaming lectures over the internet and on-demand video. But eventually as the workload increased, it became apparent that Tracker Audio needed some consolidation rather than having operations spread out between 3 different offices. So in September of 2009 Tom & Celeste Brown and Dave Ott sat down to discuss the future of Tracker's audio and video activities, eventually deciding to put them all under one roof as a separate company. Thus was born Tracker Audio LLC, and the post-production office in Ohio was expanded to accomodate the duplication, assembly, mailing and billing for the audio and video products.

 

It's important to mention here that the goal for the class audio recordings is two-fold: One, to archive this stuff for the future. Two, to provide a quality recording at a reasonable price to the students. As such, we are quite willing to barter - yes, we need to make some sort of profit at this or at least break even, but we also realize that times are hard for many and we want to do what we can for those students who are committed to these teachings and this path.

 

 

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Some class recordings are available in either mp3-CD or data-DVD formats - what's the difference?

 

[note: Tracker Audio no longer routinely offers recordings in any disc format - it's almost exclusively digital downloads. For special cases, contact us for more info.]

 

For longer recordings, there are usually 2 formats to choose from: a data-DVD set and an mp3-CD set.  Both are basically just discs containing mp3 files, with 2 major differences:


1) The data-DVD set usually contains from 1 to 2 discs.  To add the files to your media library on your computer or your portable media player you will simply copy & paste or drag & drop the files into the appropriate location.  For example, to import into an iPod you could just copy the files from the disc and paste into your iPod music folder. That's all. You can also listen to the files directly from the disc on your computer by just double-clicking an mp3 file on the disc.
Note that this is not a video-DVD; most DVD players will not know what to do with a disc full of nothing but mp3 files. You basically need a computer for this format.  We use the data-DVD format for some of the longer class recordings because it has a greater storage capacity (4,800 MB vs 700 MB on an mp3-CD).  In practice I usually keep the total files size on a data-DVD under 2048 MB, since some (older) computers have a problem with anything larger on 1 disc.


2) The mp3-CD set contains usually contains from 1 to 6 discs.  There are 2 options to add the files to your media library on your computer or your portable media player.  In most cases your computer will automatically ask you if you want to add these files to your media library.  You may need to have your media player program open (such as Windows Media, iTunes, GOM player, etc) for this to happen.  Your other option is to follow the same procedure as you would with the data-DVD version (see above).  You can also listen to the files directly from the disc by just double-clicking an mp3 file on the disc. Another way to listen to the disc is to use an mp3-CD player - you just pop the disc in and it plays.  Many new CD players will play both audio CD's and mp3-CD's.  You can buy a portable mp3-CD player for about $25 last time I checked.

What do I recommend? Get the digital download. It's the cheapest and the fastest way to get the material. If you have to have a disk, get the data-DVD version. Get a no-frills portable mp3-player with at least 4 GB of memory, load the mp3 tracks onto it through a computer, and you can listen to it anywhere you go.  Get a model with even more memory if you don't want to spend too much time deleting mp3 files to make room for new ones - if you were to have The Standard of Standards, Philosophy 1, Advanced Standard, Adv. Tracking & Awareness, and Scout 1 (the 5 basic Tracker classes) on you portable mp3 player you would need almost 10 GB of memory.

I do most of my listening on a while driving - I have an adapter that sends the media player's output into my radio and through my vehicle's speakers.  Remember that if you are caught driving while wearing headphones you'll probably end up with a ticket. Wearing only one earbud may be okay; check your state laws.

 

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How are the tracks named / how do I match them up with my notes?

When these tracks are played, you will see a title that looks something like this: "001 Opening Lecture". For more information (particularly if you're going through your notes as you listen to the recordings), look at the actual file name. For example, track 001 is titled "001 Opening Lecture", but the actual filename is
"18041501-001 Opening Lecture-TOBJ-10PT". This naming structure equates to this:
YYMMDDLL-### Title-Speaker-Class
So here, YY is 18 as in the year 2018, MM is April (the 4th month of the year), DD is the 15th day of the month, LL is lecture #1 for the day, ### is 001 (the overall track number), Title is Opening Lecture, Speaker is Tom Brown jr, and class is the 10 day Philosophy 1 & Temples. Usually the speaker abbreviation is the first 2 letters of their first and last names - so Macolm Ringwalt becomes MARI and Dan White becomes DAWH.

 

Now if you're looking at these mp3 files through Windows Explorer or Mac's Finder, these are the file names you'll see.

You can sort them according to file name and they will be in the correct chronological order.

 

The other thing to be aware of is something called the id3 tag information. This is the information such as track number, artist, title, album art, etc., that shows when the mp3 track is played through a media player (like Windows Media Player, GOM player, iTunes, etc) or on a portable mp3 music player (like an iPod or similar devices). All of the class' mp3 tracks have this information completed. The class' name is the Album name, the Artist is usually Tracker LLC, the Title is just the lecture name, and all the Track numbers are sequential - so when you call up the album "Philosophy 1" (for instance) on an mp3 player, all the tracks will be displayed automatically in the appropriate order.

 

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What equipment do you use for recording?

 

Depends on where we're recording at, what we're recording and who the on-site audio engineer is...

 

Most of the class recording is done with a Zoom H4nPro, a Zoom H1n and a Sony PCM-D50 using the built-in stereo microphones recording in 48 kHz / 16 bit CD quality mode. If we're shooting video with the Canon XA-30 or XA-50 it's generally with track 1 fed from the camera's shotgun mic (Rode NTG-2) and track 2 from a wireless lavalier mic (Sennheiser G3 system with ME4 lav mic or the Rode Wireless Go), sometimes also using a portable preamp (Sound Design MixPre). Occasionally we'll use a lav mic for a class lecture, but more often we use it for things like the Conversations with Grandfather series or the TBj Live! audio mic.

Tom also uses several different small handheld mp3 recorders for the odd moments when he feels like adding comments to the class recording and no audio engineer is around. He's also been using a Canon XA-45 for video work on his own.

 

We have a small collection of video recording equipment, but it does the job. The Panasonic HVX-200a did most of the video work in the 90's, but since then it's been the Canon XA-10, then the XA-20, the XA-30, and now also the XA-50. For still photography andsome video recording we use a Canon EOS R or the Canon 7D. The video capture devices we use include those by Magewell and the Blackmagic Design ATEM Mini HDMI Live Stream Switcher. The software-based switcher is OBS. Other stuff used here and there includes:

 

Edirol m-16DX digital mixing board

Behringer Xenyx Q802 digital mixing board

Tascam DR-60DmkII 4-Channel Portable Recorder

Zoom H1 and H1n Ultra-Portable Digital Audio Recorder

Teradek Bolt 500 HDMI Video Wireless Transmitter and Receiver

CineGears Ghost-Eye HDMI Video Wireless Transmitter and Receiver

Wilson Electronics cell signal boosters and antennae

Rode NT1-A mics

Samson C01 studio condensor mic

Shure SLX wireless mic system

Shure SM57 & SM58 mics

Sennheiser MD 421-II mic

Sennheiser E935 mic

Rode Stereo Video Mic Pro

Edirol UA-25 digital audio capture device

AT Pro-24 stereo condenser mic (oh the abuse that one has suffered... )

Sony MDR-7506 headphones

Various models of GoPro cameras

Akaso sport camera

JVC GR-D850 MiniDV camcorder (haven't used it in years, but it's what we started off with and I can't bear to part with it)

 

We're always looking for good equipment that's built to last and won't break the bank, so if you have any favorites let us know! Also, we've begun doing consulting on recording audio and video with a tight equipment budget under challenging conditions. Sort of a beginner's guide to understanding how we work with the baseline modern equipment in primitive conditions. Contact info@trackeraudio.com for more information.

 

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My audio download is a compressed .zip or .rar file - what do I do with that?

 

I use TransferBigFiles.com or MediaFire to send compressed files of the mp3 audio recordings along with any artwork, pictures, etc. that are part of the class or the audiobook. You'll need a reasonably fast internet connection for the download; a dial-up connection will probably not work very well. Most cable modem connections will work fine.

Once downloaded, you will need to de-compress the .zip file or the .rar file (I may send either form). 
If you don't know what this means, you can read the Wiki entry here on .rar files or here on .zip files, but it's not essential. Basically, I send compressed files because it's a fast and efficient way (and often the only realistic way) to transfer a lot of data or files over the internet. Only one download is required to obtain all related files, and file transfer is quicker because the files are compressed. Consider that downloading Philosophy II, for example, is roughly equivalent to downloading about 22 full length music albums!

There are many different programs that will enable you to decompress a compressed file.
For any of these operating systems:
Windows 2003, Windows Me, Windows 98, Windows 2000, Windows Vista, Windows NT, Windows XP, Windows 7, Linux, Unix -
I recommend 7-Zip, which is a free program that can be downloaded here:

http://www.7-zip.org/

DO NOT download 7-zip from any other site - there's many instances (including CNET) of the file having been corrupted with malware like ARO and Babylon junk.


For operating system Mac OS X 10.5 or higher, you can download the Free StuffIt Expander here:
http://www.stuffit.com/mac-expander.html#download
(make sure to choose the free version)

Once you've installed 7-Zip or StuffIt Expander, it should be easy to de-compress the .zip or .rar folder and save the expanded files wherever you choose to on your computer.
If you have any issues, please contact info@trackeraudio.com and I'll help you out.

 

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Viewing online broadcasts

 

All online classes are broadcasts via the Zoom platform.

 

Packaging & pricing

All audio recordings are available in mp3 format via download. Generally includes any pertinent pictures from the class. Week-long onsite classes are usually between $70-$90; online classes between $8-$25. For class recordings which include video, those videos will be listed for viewing on a seperate webpage.

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